Tag: Poems

  • The Larks of Glendalough

     

    June 3 is the feast of Saint Kevin of Glendalough, a saint in whom there has been a revival of interest in recent decades thanks to his status as a poster boy for ‘Celtic Christianity’. This movement claims that our native saints were especially in tune with the natural environment and as a result enjoyed a special relationship with the animal creation. And no anthology of ‘Celtic Christianity’ is complete without a reference to one of the most famous episodes from Saint Kevin’s hagiography – the sheltering of a nesting bird in his outstretched, praying hands until her young have fledged. It is a theme which has also inspired poets (including the late Seamus Heaney), and below is a 1905 example, The Larks of Glendalough, by Thomas Walsh. It is striking that Walsh has chosen the lark here for most retellings of this tale, which originated in the History and Topography of Ireland by the twelfth-century chronicler, Gerald of Wales, identify the avian as a blackbird. I am left wondering therefore if Walsh has conflated the story of the blackbird which nests in Saint Kevin’s palm with another legend of Glendalough which seeks to explain why the song of the lark is never heard over the site. This lark legend is bound up with the construction of the Seven Churches of Glendalough and here it is as told to a mid-nineteenth-century traveller to Ireland by his guide, a Mr. Winder:

    Among the portentous events that my friend Mr. Winder told me was this,— that for 1,300 years the skylark had never been heard to warble over the lake, because St. Kevin prayed that it might never have the power to do so; and the reason was, that the men who were building the city where the Seven Churches stand had made a vow to commence their work each day as soon as the lark rose, and not to leave off till the sun had set. They kept their vow, and were in consequence so worn out with fatigue, that many of them died; when St. Kevin, out of compassion, offered up his prayers that no lark should henceforth rise into the air — the prayer was granted, and ‘the plague was stayed.’ All this is firmly believed. Subsequent to this, a man, who was driving me in a jaunting-car, told me that it was as true as we were sitting in the car that the skylark was never heard to warble over the lake for 1,300 years, though it was heard commonly outside the Seven Churches, at the distance of a few hundred yards. I asked him, if he did not think that skylarks preferred warbling over cornfields rather than over lakes?”

              The tourist’s illustrated hand-book for Ireland, (London, 1854), 42. 

    The lark legend thus seems quite distinct from that of Saint Kevin and the Blackbird. I have not been able to find out any more about our poet Thomas Walsh but, whether or not he has confused his Glendalough bird legends here, his poem at least has the merit of depicting Saint Kevin as someone engaged in the monastic life. Indeed, Walsh seems to be describing Saint Kevin using the ancient prayer posture known as crois-fhigill, cross-vigil, where the arms are outspread in imitation of Christ’s position on the cross. Overall, although it is typical of the sentimental verse published in the popular religious press of this time, I find The Larks of Glendalough charming:
     
    The Larks of Glendalough
    By Thomas Walsh

    All night the gentle saint had prayed,
    And, heedless of the thrush and dove,
    His radiant spirit still delayed
    To hear the seraph choirs above.

    So still he knelt — his arms outspread,
    His head thrown backward from his breast —
    A lark across the casement sped,
    And in his fingers built its nest.

    The angel music from his soul
    Receded with the flood of day;
    Through Glendalough the sunlight stole
    And brushed the mists and dews away.

    ’Twas then the saint beheld the bird
    Serenely nesting in his hand,
    And murmured, “Ah, if thou hadst heard
    The matins in that seraph land!”

    Then, soft again he turned to pray;
    Nor moved his arm at even close
    Or matin call from day to day
    Until their nestling voices rose.

    And when his loving task was done,
    Above his cell he heard them cry: —
    “O Kevin, Kevin! Gentle one !
    We bear to heaven thy soul’s reply!”

    The Rosary Magazine, Volume 26, (January-June 1905), 18.

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  • Saint Fintan's Road: A Legend of Clonenagh

     

    February 17 is the feast of Saint Fintan of Clonenagh. I have previously brought Canon O’Hanlon’s account of the miracles attributed to this great monastic saint here.  Below is another of his contributions on Saint Fintan, this time wearing his other hat as ‘Lageniensis’, the poet. For the Canon was not just a hagiologist but also a folklorist, illustrator and poet. The Irish saints were the subjects of many amateur versifiers in the Victorian popular religious press, but Canon O’Hanlon’s poems were issued in a collection printed by James Duffy and Company in Dublin in 1893. In it he combined all of his interests as the poems are not only inspired by the local folklore of his native County Laois but all of them are copiously annotated with references to saints, placenames and topography etc. 

    St. Fintan’s Road, a Legend of Clonenagh

    The night-clouds were dark, holy Fintan returning,
    Dun, dreary and dismal the prospect before,
    As feebly he journeyed, foot-sore;
    No bright lunar orb in the starless sky burning,
    Soft yielding each step that morass scarce bore,
    For quagmires had sprinkled it o’er.
     
    “Dear grey abbey-walls,” said the saint while approaching,
    “Oh, when shall I find your delightful repose,
    On the fertile and grass-bearing knowes;
    The tempest howls over on wild moss encroaching,
    Tall pines of the wilderness bend as it blows,
    And the danger more fearfully grows.
     
    Pious peasants relate, how that tempest then ceasing
    Unveiled the bright moon, from a covert of shade,
    In all her true glories arrayed,
    When a clear shining star, through the liquid air chasing,
    Led on to his churches a road newly made,
    And in calm were the soughing winds laid.
     
    Even yet, at the lone hour of midnight returning,
    Swains tread on with joy, o’er that causeway secure,
    For their patron will safety insure;
    Nor fear they if midnight be shadowed in mourning,
    While telling their prayers, devoutly and pure,
    To Fintan, the saint of that moor.
     
    ‘St. Fintan’s Road, a Legend of Clonenagh’ in The Poetical Works of Lageniensis (Dublin, 1893), 252-255.

     

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  • The Prayer of Saint Atty

    A couple of days ago I reprinted a poem by Philadelphia resident Patrick J. Coleman on the founding of the diocese of Achonry by Saint  Nathy.  Now we have another of his poetic offerings, this time in praise of Achonry’s female patroness Saint Attracta and her role as peacemaker and protectress.

    THE PRAYER OF SAINT ATTY.*

    A LEGEND OF ACHONRY

    KING Connor made an edict old:
    “A royal palace I will build;
    Tribute I order of the gold,
    From every clan and craftsman’s guild.

    “Tithings of scarlet and of silk,
    Curtain and screen of regal woof
    Deep-uddered heifers, rich in milk,
    And bronze and timber for the roof.

    “From Leyney’s lord, in token due
    Of fealty, I will ordain
    A hundred masts of ash and yew,
    A hundred oaks of pithy grain.”

    “Saint Atty, keep us safe from scath
    And shield us in the battle crash!
    For roof of royal house or rath
    We will not render oak or ash!”

    Thus lowly prayed the Leyney clan,
    While sang the birds in bush and brake.
    As fast they mustered, horse and man,
    To face the foe by Gara’s lake.

    For, wroth’ at heart, came Connor’s clan;
    Ah, Christ! they made a horrid front,
    With red spears bristling in the van.
    And shields to brave the battle-brunt.

    From wing to wing in wrath they rolled,
    Crested with helmets all afire.
    Of burnished bronze or burning gold.
    To martial measures of the lyre.

    A dreadful war! the blessed saints
    Defend to-day the Leyney clan!
    For they must reel before the steel
    Of such a hosting, horse and man.

    From sounding sheaths the swords flamed out,
    The clattering quivers echoed loud,
    From their dark ranks the battle shout
    Broke out, as thunder from the cloud.

    “Saint Atty, keep us safe from scath!”
    Thus made the Leyney men their prayer ;
    When lo! adown the forest path
    Trooped, lily-white, a herd of deer!

    Broke from the branching thicket green,
    While mute the watching warriors stood;
    Such gracious deer were never seen
    In Irish fern or Irish wood;

    And, mighty marvel, on their backs.
    Bound by a maiden’s tresses gold.
    Clean-hewn as if by woodman’s axe.
    The tribute of the wood behold !

    Nor paused the sylvan creatures sweet,
    But gliding onward, like to ghosts.
    Cast off the wood at Connor’s feet
    In wondrous wise betwixt the hosts;

    Then vanished in the forest green.
    While mused amaze the king and kern;
    And nevermore from then were seen
    In Irish wood or Irish fern.

    Down dropped the sword to thigh and hip,
    “God’s will be done, let hatred cease!”
    Rose up the cry from every lip.
    And harps attuned a chord of peace.

    Yea, “blessings broke from every lip,
    To God and to His saints above.
    And hands that came for deadly grip
    Were mingled in fraternal love.

    ” ‘Gainst scath or scar our battle-shield
    Is Atty, saint of Leyney’s clan!”
    They sang, as homeward from the field
    They hied, unscathed, horse and man.

    For in her chapel in the wood
    The boding war had Atty seen,
    And for the people of her blood
    Made prayer amid the forest green.

    And men do say that on that day
    She saved the Leyney clan from scath,
    Such power there is when lowly pray
    The pure of heart and keen of faith.

    And still when autumn gilds the lea,
    And scythes are shrill in meadows ripe,
    The rural pageant you may see
    Sporting with jocund dance and pipe.

    The village women you may mark
    In Leyney, at Saint Atty’s well.
    Ere yet hath trilled the risen lark
    In golden mead or dewy dell.

    PATRICK J. COLEMAN.

    *Saint Atty is the loving name of the people of Achonry for Saint Attracta, the patroness of the diocese.

    The Irish Monthly, Volume 18 (1890),80-82 

     

     

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