ALL THE SAINTS OF IRELAND

  • Irish Saints in the War Poetry of Katharine Tynan

     

    Links between Ireland and Belgium were forged during the great missionary endeavours of the early medieval Irish church when Irish saints such as Saint Foillan, Ultan and Fursey made their mark. Later the scholars in exile in the Irish College at Louvain recovered and preserved the Lives of those Irish saints who had laboured in Europe and in many cases reintroduced them to their countrymen. These links were recalled during the First World War when a particular appeal was made to Ireland to come to the aid of ‘gallant little Belgium’ and fight for the rights of small nations. The Irish also made a contribution to the poetry associated with the Great War, and in the two poems below Katharine Tynan (1861-1931) invokes the saints of Ireland for aid and protection. In the first poem, she contrasts a peaceful idyllic scene in Ireland, where people sleep soundly under the watchful presence of the Irish saints, with the scene of devastation in war-ravaged Belgium, where the saints seem to be silent. In the second poem a mother commends her ‘little son’ (probably a big strapping lad!) to the protection of the Irish saints and the heavenly hosts. I would like to dedicate this post to my own great-uncle James, who died aged 19 in 1915 and is one of many who has no known grave, but is remembered only as a name on the Menin Gate Memorial.

    THE WATCHERS

    THE cottages all lie asleep;
    The sheep and lambs are folded in
    Winged sentinels the vale will keep
    Until the hours of life begin.

    The children with their prayers all said
    Sleep until cockcrow shall awake
    The gardens in their gold and red
    And robins in the bush and brake.

    The fields of harvest golden-white,
    The fields of pasture rich and green,
    Sleep on nor fear the kindly night,
    The watching mountains set between.

    The river sings its sleepy song,
    Nought stirs the wakeful owl beside:
    Our peace is builded sure and strong
    No evil beast can creep inside.

    St Patrick and St Brigid hold
    The vale its little houses all,
    While men-at-arms in white and gold
    Glide swiftly by the outer wall.

    St Brendan and St Kevin pluck
    The robes of God that He may hear–
    And Colum: “Keep the Irish flock
    So that no shame or sin come near.”

    What news of Belgian folk to-day?
    How fare the village and the town?
    O Belgium’s all on fire they say,
    And all her towers are toppling down.

    What are her angels doing then,
    And are the Belgian saints asleep,
    That in this night of dule and pain
    The Belgians mourn, the Belgians weep?

    Katharine Tynan, Flower of Youth:Poems in War Time, (London, 1917), 18-19.

    In the second poem, A Woman Commends Her Little Son, an Irish mother calls on a host of heavenly protectors to look out for her boy:

    A WOMAN COMMENDS HER LITTLE SON

    To the aid of my little son
    I call all the magnalities —
    Archangel, Dominion,
    Powers and Principalities.

    Mary without a stain,
    Joseph that was her spouse,
    All God’s women and men,
    Out of His glorious House.

    The Twelve Apostles by him:
    Matthew and Mark and John,
    Luke, the Evangelists nigh him,
    So he fight not alone.

    Patrick, Columcille, Bride —
    The Saints of the Irish nation;
    Keiran, Kevin beside,
    In the death and the desolation.

    Listen, ye soldier saints,
    Sebastian, Ignatius, Joan,
    Be by his side; if he faints,
    Strengthen my little son.

    In the Side of Christ I lay him,
    In the Wound that the spear made;
    In the pierced Hands I stay him,
    So I am not afraid.

    On the knees of the Blessed Mary
    And in the fold of her arm,
    Refuge and sanctuary
    Where he shall take no harm.

    To the Wound in the Heart of Christ,
    To the Trinity Three in One,
    To the Blood spilled out, unpriced,
    For love of my little son.

    Katharine Tynan, Herb o’ Grace: Poems in War-Time. (London, 1918), 49-50.

    Content Copyright © Omnium Sanctorum Hiberniae 2012-2024. All rights reserved.

  • Saint Camelacus of Rahan, November 3

    November 3 is the feast day of Saint Camelacus (Camulacus, Caomhlach, Cáemlach) of Rahan, County Offaly. He appears to have been the original founder of the church at Rahan, but was later overshadowed by Saint Mochuda (Mochutu) or Carthage, the saint more readily associated with the monastery at this site. An original founder saint being eclipsed subsequently by another isn’t unknown. Speaking of the seventh century, Richard Sharpe, the translator of The Life of Saint Columba for the Penguin Classics series, makes this point:

    They were years that witnessed immense changes in Irish society and in the Irish church. In particular, some early saints disappear from view as their churches were eclipsed by those of other saints. For example, a letter written in the 630s to Ségéne, fifth abbot of Iona, mentions a group of leading church founders; the list includes St Nessan, who fades from view before anything was recorded of him. Rahan, Co.Offaly, was regarded as the church of St Camelacus in the early seventh century, but a hundred years later his place had been reassigned to St Mochutu.

    Richard Sharpe, ed. and trans. Adomnán of Iona, Life of St Columba (Penguin Books, 1995), p.4

    But fortunately, unlike Saint Nessan, Saint Camelacus did not vanish completely for he is recorded in a number of early medieval sources. One of Saint Patrick’s earliest hagiographers, Tirechán, writing in the closing decade of the seventh century, recorded the names of bishops appointed to establish churches by the Irish patron. He tells us:

    He sent Camelacus of the Comienses to Mag Cumi and with his finger pointed out to him the place from the hill of Granard, that is the church of Raithen.

    What ‘of the Comienses’ means has never been determined. Some scholars feel that the saint’s own name raises questions too. Aidan Breen writes in the online Dictionary of Irish Biography:

    The name Came(u)lacus is unusual. It could be Gaulish, and the epithet ‘of the Comienses’ might therefore refer to some Gaulish tribal group. If that is the case, Camelacus would have been one of the Gaulish bishops who assisted Patrick, along with Auxilius, Iserninus and Secundinus.

    However, he goes on to acknowledge that the name Camelacus could be a Latinization of the Irish Cáemlach and Commienses of a tribal grouping in Offaly.

    The Martyrology of Gorman records the saint under the name ‘Caemlach’ on November 3 with a scholiast note adding ‘from Rathen’. The Martyrology of Donegal records ‘CAEMHLACH, of Raithin’ at the same date.

    But it is as the Latin Camelacus that one of the most intriguing sources testifies to our saint. For a Hymnus Sancti Camelaci is among the twelve hymns found in the late seventh-century Antiphonary of Bangor. The hymn, Audite bonum exemplum (Hear the good example), bears a number of similarities to the better-known and much longer Audite omnes amantes (Listen, all who love God) in honour of Saint Patrick, traditionally ascribed to the authorship of Saint Secundinus, which the Antiphonary also preserves. Father Michael Curran MSC, in his 1984 study The Antiphonary of Bangor and the Early Irish Monastic Liturgy, pointed out some similarities between the two hymns. Both are alphabetical hymns, both begin with Audite and both contain some other textual similarities. Furthermore:

    Audite bonum also speaks of Camelacus, who was a fifth-century contemporary of Patrick, as if he were still alive, except in the final two stanzas where he is spoken of as being in his eternal home.

    All of these similarities may indicate either that Audite bonus is an imitation of Audite omnes or that both were written by the same author. The shorter hymn draws a warm and attractive picture of Camelacus, who is characterized above all by humility, gentleness and joyful fidelity in the service of God. Mention is made more than once of his poverty.

    Michael Curran MSC, The Antiphonary of Bangor and the Early Irish Monastic Liturgy (Dublin, 1984), 46-47.

    One of the most interesting references in the Hymn to Saint Camelacus is found in the final stanza which says that Christ will place our saint in the company of the patriarch Abraham and he will reign in paradise with the holy Lazarus. This is clearly a reference to the parable of Dives and Lazarus found in the sixteenth chapter of the Gospel of Saint Luke. In his 1887 collection The Tripartite Life of Patrick with Other Documents relating to that Saint, Whitley Stokes included the curious Tale of Patrick and his Leper, where the leper is named Comlach. Father Curran suggests that the association of Saint Camelacus with Lazarus in the hymn anticipates this later tradition. The link with lepers is further strengthened by the founding of a leper colony at Rahan by Saint Carthage, directed there, according to hagiography, by Saint Colmán of Lann Elo. A growing number of modern scholars believe that Colmán of Lann Elo is the true author of the hymn of Secundinus in honour of Saint Patrick, Audite omnes amantes and thus Father Curran wonders if Saint Colmán had a personal devotion to Saint Camelacus and might also be the author of the hymn in his honour.  He speculates that:

    It is possible that the new monastery and its leper-colony was a memorial and tribute to Camelacus, the first bishop of Raithin, who was remembered for his evangelical poverty and possibly for his care for lepers, if not already regarded as a leper himself.(p.47)

    Yet it remains equally possible that the Audite bonum exemplum, the Hymn to Camelacus, is a shorter and less sophisticated composition written in the style of the Audite omnes amantes.  Whatever the truth, it is fascinating to see Camelacus, this otherwise obscure holy man, being one of only three saints, along with our national apostle and Saint Comgall, Bangor’s founder, to merit a hymn in his honour in The Bangor Antiphonary:

    [15.] Hymnus Sancti Camelaci.

    i. Audite bonum exemplum
    Benedicti pauperis
    Camelaci Cumiensis
    Dei justi famuli.

    ii. Exemplum praebet in toto
    Fidelis in opere,
    Gratias Deo agens,
    Hilaris in omnibus,

    iii. Jejunus et mansuetus
    Kastus hic servit Deo,
    Laetatur in paupertate,
    Mitis est in omnibus,

    iv. Noctibus atque diebus
    Orat Dominum suum ;
    Prudens, justus, ac fideiis,
    Quem cognati diligunt.

    v. Regem Dominum aspexit
    Salvatoremque suum :
    Tribuit huic aeternam
    Vitam cum fidelibus.

    vi. Xps [i.e. Christus] illum insinuavit
    Patriarchae Abrahae,
    Yn Paradiso regnavit
    Cum sancto Lazaro.

    (text from F.E.Warren and W. Griggs, The Antiphonary of Bangor: an early Irish manuscript in the Ambrosian Library at Milan 2 vols, (London 1893–1895).

    Content Copyright © Omnium Sanctorum Hiberniae 2012-2024. All rights reserved.

  • Saint Feber of Boho, November 6

    November 6 is the Feast of All the Saints of Ireland but is also the day on which we commemorate a little-known female saint of County Fermanagh, Saint Feber (Feadhbhair, Feadhbar, Fedbair, Febor, Faber) of Boho. Since we have only four surviving written Lives of Irish women saints, stories of Saint Feber have mostly survived in popular tradition preserved in the place where she once flourished. Her name is recorded though in Irish genealogical sources and also on the calendars of the saints. The Martyrology of Gorman records the name ‘Fedbair’ at November 6 with an accompanying scholiast note describing her as ‘a virgin from Botha Eich Raichnig’. The Martyrology of Donegal replicates this with its entry for ‘Fedbair, Virgin of Botha-eich Uaichnich, in Tir-Rátha’. Pádraig Ó Riain in his Dictionary of Irish Saints tells us that the genealogies describe Feber as a daughter of Dallbhrónach, mother of a number of saints. Her family tree also makes Saint Feber an aunt to Saint Brigid of Kildare. and Ó Riain notes that Feber was ‘said to have been subject to Brighid at her church in the townland of Toneel, parish of Boho, which she shared with her sister Sanct Bhróg.’ However, it is to popular tradition that we must turn for further details of the establishment of a church by Saint Feber. Here we find some classic hagiographical tropes: the assistance of a wild animal and the righteous anger of the saint leading to the cursing of a river and its subsequent flowing against the hill.

    In a letter dated November 6, 1834, John O’Donovan of the Ordnance Survey wrote:

    The village of Monea is called in Irish Muine Fhiadh, i.e. Hill of the Deer. The name is accounted for by a story similar to those told to account for the names of old churches in Derry. The virgin St. Feber first attempted to build her church at Kildrum at the place where the holy well now called Tobar Feber is to be seen, but what had been built in the course of the day was destroyed in the night by some invisible being. At last a deer, blessed beast, was pleased to point out a site where Feber might erect her church without interruption. He carried Feber’s books on his horns to Monea, and there the holy virgin finished the erection of her church without annoyance. But when the deer was crossing the Sillees River (Abhainn na Sailíse) he slipped on its slippery banks and the books fell off his horns and it was sometime before he could fix them on again. This was effected by the genius or sheaver (shaver) who presided over the Sillees, who did all in his power to prevent the establishment of the Christian Religion in that neighbourhood. As soon as Feber had understood that the demon of the river thus annoyed the good beast, she was filled with holy indignation -she became much wroth – and with (in?) sanctified fury and heavenly anger, she cursed the River, praying that the Silleece might be cursed with sterility of fish and fertility in the destruction of human life, and that it might run against the hill. 

    Rev. M. O’Flanagan, Letters Containing Information Relative to the Antiquities of the County of Fermanagh: Collected During the Progress of the Ordnance Survey in 1834-5 (1928), 54-5.

    A more recent commentator suggests that O’Donovan’s version of the Saint Feber, the stag and the river story was not the only one. Henry Glassie points out:

    In O’Donovan’s telling, Saint Febor’s opponent was supernatural, more often her opponent is human – a local chief – but her three curses end most tellings.

    He then goes on to give us the version from the autobiography of William K. Parke, a native of Derrygonnelly, County Fermanagh. Derrygonnelly is a town on the Sillees River, whose flowing against the hill Parke explains by telling the story of 

    “a lady saint known as Saint Faber”, who roamed the area with her pet deer, “endeavouring to convert the locals to Christianity”.  Her main objective was the local chief, O’Phelan, who “wanted nothing to do with this new fangled religion”. He ordered his servants to release the dogs on her. She fled, attempted to leap the Sillees, failed, her holy books were destroyed, and she cursed the river. The curses were that the river was to be dangerous for bathers, bad for fishing and to flow for ever against the hill.

    Glassie also cited another version of the tale from the same author. The quote above was taken from Parke’s 1988 autobiography Fermanagh Childhood , but in Glimpses of Old Derrygonnelly, published a decade earlier, Parke quoted from an old article from the local newspaper, The Impartial Reporter

    “St Faber fleeing from her enemies raised her staff cursing the water to be turned back so that she could save her deer carrying the Holy Books. The river ran on as far as Lisgoole Abbey where the monks met it and turned it into Lough Erne”.

    Henry Glassie, The Stars of Ballymenone, new edition, (Indiana University Press, 2016), footnote, p.483.

    The three curses of Saint Feber are part of a tradition of saintly malediction found in medieval hagiography in general, but a feature of the Lives of Irish saints in particular. I spoke about the context in which our saints utter curses on Episode 30 of the radio programme All the Saints of Ireland, which you can find at the podcast library of Radio Maria Ireland here. As I explained, cursing usually arises as a response to the dignity of the saint being disrespected. That is clearly the case here, where the chieftain aggressively attempts to thwart the saint’s missionary work and she invokes the judgement of God, not against the man, but against the river which endangered her animal companion and the holy books he carried. As I remarked on the radio broadcast, the cursing of things, food-producing sources such as rivers or trees, may owe something to the cursing of the fig tree by Christ on his way to Jerusalem. There is thus nothing unusual in this episode of Saint Feber and the Sillees, we see instances in other saints Lives of the cursing of rivers so that fish will not be caught.  It’s also true that unusual natural features in the environment are often attributed to the actions of saints, in this case the flowing of the Sillees against the hill. It is worth noting, however, that cursing is predominantly a male preserve in the Lives of the Irish saints but Saint Feber seems every bit as capable as any male saint. In the newspaper account the raising of her staff, the symbol of her authority, to pronounce the curse is also in keeping and reflects the ritualistic aspect of uttering maledictions. 

    A final observation is that the saint’s memory continues to be reflected in the landscape around Boho, In addition to the Tobar Feber there is a bullaun associated with the saint preserved at Killydrum townland. She is the patron of the Sacred Heart Church at Boho, one of the very few historic church sites still in Catholic hands. The parish website here adds some other details to Saint Feber’s story, claiming that she was the daughter of a local druid who was converted to Christianity by Saint Molaise of Devenish. It says too that the holy well of Saint Feber has a particular reputation for curing warts. There is a second well at Monea and Saint Feber is also the patron of the Catholic parish church there.

    So, although not much historical information has survived about this female saint of Fermanagh, her memory is still very much alive in the place where she once flourished.

    Content Copyright © Omnium Sanctorum Hiberniae 2012-2024. All rights reserved.